Hab im Netz nochmal eine Aufstellung der wesentlichsten Unterschiede gefunden:
# he film is titled JOHN RAMBO, but nowhere on the box art or disc is this name associated. Weird huh?
# There are a few more brutal real images at the beginning newsfeed.
# There’s more snake catching and more playing around with the snakes as Johnny bags them up.
# There’s more of Julie Benz bugging Rambo to take her group on a boat ride into Burma. In fact, there’s a whole new scene of her begging him. The law of 3!
# There’s a longer night scene in a village that’s being raided.
# They completely changed the “what is” speech on the boat that takes place in the rain between Julia’s character and Rambo. John talks about politics and war and admits he wasted his life on war. That’s a true statement I guess.
# There are longer conversations to be had between the missionaries and Rambo on the boat ride to Burma.
# There’s a slight change to the pirate shootout scene.
# There’s a longer goodbye scene between John and Sarah when drops them off in Burma.
# There are new flashback scenes when Rambo (I keep wanting to call him Rocky) is burning the pirate ship.
# The raid on the village where the missionaries are starts out quicker. In my opinion, it feels too abrupt.
# There is a new scene where the missionaries are at the prison camp. They talk about the treatment and torture of the prisoners.
# After the pastor told Rambo about the missing prisoners, the hammer scene is a bit different. Instead of Rambo’s voiceover where he says, “war is in his blood and all…” you hear a voiceover from the pastor. It kind of loses meaning now in my opinion.
# There are some slight variances in the rescue of the missionaries. I did not mind this, as it is the thumping music that really fuels these scenes after all.
# After the rescue, Rambo now notices that Sarah hurt her foot. He wraps it up for her. What a nice guy.
# And last but not least, there is a longer goodbye scene between Rambo and Sarah at the conclusion of the brutal warfare resolution of Act III.
