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That the Screenplay had merely leaked to a limited number of individuals within the confines of Hollywood was by that point already old news, having already been reported by Gawker and various other news outlets. Gawker solicited and obtained a theretofore publicly unknown link to an anonymous download site that was storing and distributing to users infringing PDF copies of the complete copyrighted Screenplay. Gawker then fabricated another, new “story” that the script had been made publicly available online solely so that Gawker could then trumpet to the world without impunity exactly where on the Internet the infringement was taking place.
Gawker could just as effectively have reported the fact that the script was leaked and available on a file upload site without including any specific links to the infringing copy, just as a newspaper can report that a film piracy ring in, e.g., downtown Los Angeles, has obtained and is selling pirated DVDs of a not-yet-released theatrical motion picture without instructing exactly how, where and when readers can illegally buy their own pirated copy.
In dem Italo-Western zwingt ein Schneesturm die Insassen einer Postkutsche (zwei Kopfgeldjäger, eine Gefangene und ein Sheriff) Halt zu machen und Zuflucht in einer Station zu suchen. Dort treffen sie auf andere und unterhalten sich zunächst guter Dinge, doch schon bald nehmen die Spannungen zu. Einer der Raubeine hat es scheinbar auf die anderen abgesehen.